傲慢與偏見網路小說

1. 想知道小說《傲慢與偏見》的大概內容及評論

《傲慢與偏見》是簡.奧斯丁的代表作。這部作品以日常生活為素材，一反當時社會上流行的感傷小說的內容和矯揉造作的寫作方法，生動地反映了18世紀末到19世紀初處於保守和閉塞狀態下的英國鄉鎮生活和世態人情。這部社會風情畫式的小說不僅在當時吸引著廣大的讀者，時至今日，仍給讀者以獨特的藝術享受。
以下是簡.奧斯丁這部名作的賞析。(其實相當於讀書筆記)
賞析篇：
奧斯丁在這部小說中通過班納特五個女兒對待終身大事的不同處理，表現出鄉鎮中產階級家庭出身的少女對婚姻愛情問題的不同態度，從而反映了作者本人的婚姻觀：為了財產、金錢和地位而結婚是錯誤的；而結婚不考慮上述因素也是愚蠢的。因此，她既反對為金錢而結婚，也反對把婚姻當兒戲。她強調理想婚姻的重要性，並把男女雙方感情作為締結理想婚姻的基石。書中的女主人公伊麗莎白出身於小地主家庭，為富豪子弟達西所熱愛。達西不顧門第和財富的差距，向她求婚，卻遭到拒絕。伊麗莎白對他的誤會和偏見是一個原因，但主要的是她討厭他的傲慢。因為達西的這種傲慢實際上是地位差異的反映，只要存在這種傲慢，他與伊麗莎白之間就不可能有共同的思想感情，也不可能有理想的婚姻。以後伊麗莎白親眼觀察了達西的為人處世和一系列所作所為，特別是看到他改變了過去那種驕傲自負的神態，消除了對他的誤會和偏見，從而與他締結了美滿姻緣。伊麗莎白對達西先後幾次求婚的不同態度，實際上反映了女性對人格獨立和平等權利的追求。這是伊麗莎白這一人物形象的進步意義。
從小說看，伊麗莎白聰敏機智，有膽識，有遠見，有很強的自尊心，並善於思考問題。就當時一個待字閨中的小姐來講，這是難能可貴的。正是由於這種品質，才使她在愛情問題上有獨立的主見，並導致她與達西組成美滿的家庭。
在《傲慢與偏見》中，奧斯丁還寫了伊麗莎白的幾個姐妹和女友的婚事，這些都是陪襯，用來與女主人公理想的婚姻相對照。如夏綠蒂和柯林斯盡管婚後過著舒適的物質生活，但他們之間沒有愛情，這種婚姻實際上是掩蓋在華麗外衣下的社會悲劇。
奧斯丁的小說盡管題材比較狹窄，故事相當平淡，但是她善於在日常平凡事物中塑造鮮明的人物形象，不論是伊麗莎白、達西那種作者認為值得肯定的人物，還是魏克翰、柯林斯這類遭到諷刺挖苦的對象，都寫得真實動人。同時，奧斯丁的語言是經過錘煉的，她在對話藝術上講究幽默、諷刺，常以風趣詼諧的語言來烘託人物的性格特徵。這種藝術創新使她的作品具有自己的特色。
內容篇：
全書的主要情節是圍繞在擁有五個千金女兒的班耐特一家人，雖然他們一家人家境並不是非常富有，也無任何顯赫的社會地位，但班耐特太太卻處心積慮想替五個女兒尋找到和上流社會的貴族聯婚的機會，而美麗而善良的大女兒琴恩，和機智勇敢的二女兒莉琪，她們置身在整個附庸風雅、貴氣逼人的上流生活圈中，仍執著面對自我，並勇於維護自尊，卻也因而喪失了對真愛的判斷和實情的追求，以致忽視了優柔溫文的賓格利和恃才傲物的達希，在撲朔迷離的形勢中所表現出的難得摯情。

然而就在重重誤解、心機、成見與持續華麗表面生活的遮掩下，擋不住的愛情仍如結晶的璞玉一般，終究不能不脫穎而出，傲慢與偏見的人性兩貌，在種種環環相扣的沖突中清晰的突出，作者以她圓潤、敏銳、幽默而細致的筆觸，十足盪氣回腸的描繪這一群人的恩怨愛恨。

此書另一特色就是所有主人翁活動性，以達希為例，他是個不受人喜愛的傲慢男人，他向來亦不屑周圍膚淺的人際關系，此種僵化的對立就在他終於為莉琪動心的那一刻起了劇變，他在壓抑多時之後決定勇敢示愛，不意卻遭受毫無情面可言的拒絕，對他來說，傲慢也許有理，偏見卻是無情，此兩者交之而產生的沖擊在所難免，這種「沖擊」可稱為The Shock Of Recognition（認知之沖擊），達希與莉琪形同水火的命運，掙扎在其他事件接連的失序演出，達希痛定思痛，而有了劇力萬均峰迴路轉，這種「認知」的功夫，往往就是小說人物中主角人物的再生，一個人物之所以能夠生動，在性格上必有無法測度的地方（Incalculability）。

所謂無法測度，就是小說人物的「認知」、「權變」和成熟的過程中所產生的推動力，大多數生動的小說人物都是經由這種「長大」（Growth）過程的，莉琪飽嘗自己對人偏見所產生下的苦果便是一例，當然，愛情能使人盲目，也能使人清醒而重新出發，達希和莉琪當屬幸運的後者了。

「傲慢與偏見」雖是一出閃爍著鬥智意味的愛情輕喜劇，實則說明了人必須行動和自省才有希望，人的尊嚴絕不是與生俱來的，而是從行動和自省中淬煉獲得，透過理性的行動，把人類的王國建立得具有一個心靈價值的模式，以與物質俗世有別。大體上，人的生存沒有意義，但從小體上看，人本身的行動卻深具意義，即使只是兒女私情的往來。
思考篇：
這本著作距離我們已經有二百年左右的歷史，但在作者珍‧奧斯汀的筆下，我們可以感覺到，雖然它的內容是那麼的平凡，但讓我們有種身在其境的感覺，同時有種非要一次把整本書看完的慾望。有人認為，文學作品嚴格來說是不能翻譯的，因為這些文字組成的完美，一旦經過他人的更改，所有原創性的精華必定只剩輪廓，其實各國文化天生差異的可愛之處亦正式在此，因為要人人精通各國文字幾乎是不可能的事，「翻譯」於是成了文化中的文化，它使得文學本身除了土壤性，更具備了共通性，甚至突破時空的隔閡，拉近歷史與地理的先天距離，而人與人之間的關系更加親密，而「傲慢與偏見」正是透過翻譯才能讓我們得以閱讀這樣的一本的好書。以下是個人閱讀本書之後所思考到的幾個問題，在此提出分享：
1.當莉琪一開始遇見達希時，便對他那種驕傲、愛挑剔、自大的態度感到不滿，雖然後來是因為威肯的污陷，使得達希不得已將事實全盤扥出，莉琪才真正了解達希的真正為人。我們是否也常常因為對某人的第一印象，而將其定位為他就是那樣的人……等等，這是一般人的通病，人要學習了解整個事實再作決定的習慣才是。

2.達希向來就不屑周圍膚淺的人際關系，直到他遇到了莉琪才真正改變了他的方式，當然他並不是個只重視金錢跟地位的人，只是他本身的個性使然，如果他沒遇到他真正喜歡的人，他的個性有可能就這樣繼續下去，這樣的他會不會很痛苦？

3.琴恩是個非常善良，任何事情都會站在對方的立場去著想的人，這樣的人雖然是很受大家的歡迎，但凡事都只往好處想，會不會有些不切實際，與真實的人生不合？

2. 小說《傲慢與偏見》主要講述了一個怎樣的故事

《傲慢與偏見》這部英國長篇小說，同樣是英國女作家創作的。來看看這是一個什麼樣的故事吧！

奧斯丁，1775年12月16日誕生在英格蘭漢普郡斯蒂汶頓村，1817年7月18日逝世，在人間僅存活了四十二個春秋。但是，她是一位迄今令人驚奇高產女作家，短暫的一生當中，共完成了六部小說，中國讀者所熟悉的《愛瑪》、《理智與情感》等就是她的文學作品。奧斯汀是英國十八世紀末葉的現實主義作家，她擅長用幽默諷刺的詼諧筆法，極其逼真地刻畫了當時英國社會中產階級的生活與思想況態。尤其是寫出了那個時代青年女性的徬徨和精神苦痛。

作者通過富有反抗精神的女主角伊麗莎白和新興的資產階級青年達西之間的一場戀愛經過，作了精細入微的分析，這部優秀長篇小說使我們今天的人們能夠看到當時英國青年們爭取婚姻獨立的場景。學著點吧！

3. 傲慢與偏見小說哪個版本好

你說的應該是哪個譯本好吧？、 目前評價最高的是孫致禮先生的譯本，也是我最回喜歡的，另外還答有王科一，義海，張玲-張揚，張經浩，張隆勝，張小余和趙琪的譯本。 你要是真的喜歡這本書當然是要看原著的，這樣你自己就會覺得哪個譯本最好，自己最喜歡了， 哈哈，這本書是我的最愛· · 希望你喜歡

4. 傲慢與偏見的內容簡介

《傲慢與偏見》是英國女小說家簡·奧斯汀的創作的長篇小說。

小說描寫了小鄉紳班納特五個待字閨中的千金，主角是二女兒伊麗莎白。她在舞會上認識了達西，但是耳聞他為人傲慢，一直對他心生排斥，經歷一番周折，伊麗莎白解除了對達西的偏見，達西也放下傲慢，有情人終成眷屬。

這部作品以日常生活為素材，以反當時社會上流行的感傷小說的內容和矯揉造作的寫作方法，生動地反映了18世紀末到19世紀初處於保守和閉塞狀態下的英國鄉鎮生活和世態人情。並多次被改編成電影和電視劇。

(4)傲慢與偏見網路小說擴展閱讀：

《傲慢與偏見》是奧斯汀最早完成的作品，她在1796年開始動筆，取名叫《最初的印象》，1797年8月完成。她父親看後很感動，特意拿給湯瑪士·卡德爾，請他出版，但對方一口回絕，這使得他們父女非常失望。於是簡·奧斯汀著手修訂另一本小說《理性與感性》。

1805年她父親去世後，奧斯汀太太帶著簡和她姐姐卡珊德拉搬到南安普頓。直到1809年定居在喬頓城其兄愛德華的漢普夏庄園之後，簡·奧斯汀才再度認真提筆。《理智與情感》修訂後她自費出書，銷路不錯。於是她重寫《最初的印象》，改名叫《傲慢與偏見》。

作品鑒賞

作品主題

奧斯汀在這部小說中通過班納特五個女兒對待終身大事的不同處理，表現出鄉鎮中產階級家庭出身的少女對婚姻愛情問題的不同態度，從而反映了作者本人的婚姻觀：為了財產、金錢和地位而結婚是錯誤的；而結婚不考慮上述因素也是愚蠢的。

因此，她既反對為金錢而結婚，也反對把婚姻當兒戲。她強調理想婚姻的重要性，並把男女雙方感情作為締結理想婚姻的基石。書中的女主人公伊麗莎白出身於小地主家庭，為富豪子弟達西所熱愛。達西不顧門第和財富的差距，向她求婚，卻遭到拒絕。伊麗莎白對他的誤會和偏見是一個原因，但主要的是她討厭他的傲慢。

因為達西的這種傲慢實際上是地位差異的反映，只要存在這種傲慢，他與伊麗莎白之間就不可能有共同的思想感情，也不可能有理想的婚姻。以後伊麗莎白親眼觀察了達西的為人處事和一系列所作所為，特別是看到他改變了過去那種驕傲自負的神態，消除了對他的誤會和偏見，從而與他締結了美滿姻緣。

伊麗莎白對達西先後兩次求婚的不同態度，實際上反映了女性對人格獨立和平等權利的追求。這是伊麗莎白這一人物形象的進步意義。

從小說看，伊麗莎白聰敏機智，有膽識，有遠見，有很強的自尊心，並善於思考問題。就當時一個待在閨中的小姐來講，這是難能可貴的。正是由於這種品質，才使她在愛情問題上有獨立的主見，並促使她與達西組成美滿的家庭。

在《傲慢與偏見》中，奧斯汀還寫了伊麗莎白的幾個姐妹和女友的婚事，這些都是陪襯，用來與女主人公理想的婚姻相對照。如夏綠蒂和柯林斯盡管婚後過著舒適的物質生活，但他們之間沒有愛情，這種婚姻實際上是掩蓋在華麗外衣下的社會悲劇。

《傲慢與偏見》於1813年問世。這本書在評論界得到歡迎，沃爾特·斯科特爵士贊揚奧斯汀「筆法巧妙」，「把平凡普通的事務和角色變得有趣」。

《傲慢與偏見》描寫中產階級男女的愛情與婚姻。在奧斯汀之前，18世紀後期的英國小說中有一股女性感情潮流，充滿傷心流淚的感傷情調和為憂郁而憂郁的嗜好。《傲慢與偏見》克服了這種傾向而接近於現代生活。她在小說中運用喜劇的手法表達對生活的嚴肅批評，探索女主人公從戀愛到結婚中自我發現的心理過程。女主人公和達西的婚姻是作者頌揚的「為天下有情人樹立一個榜樣」的幸福婚姻。

《傲慢與偏見》作品生動反映了18世紀末到19世紀初處於保守和閉塞狀態下的英國鄉鎮生活和世態人情，被英國小說家和戲劇家毛姆列為世界十大小說之一。

5. 《傲慢與偏見》這篇小說的內容，主要講的是什麼，要表達的什麼

全書的主要情節是圍繞在擁有五個千金女兒的班耐特一家人，雖然他們一家人家境並不是非常富有，也無任何顯赫的社會地位，但班耐特太太卻處心積慮想替五個女兒尋找到和上流社會的貴族聯婚的機會，而美麗而善良的大女兒琴恩，和機智勇敢的二女兒莉琪，她們置身在整個附庸風雅、貴氣逼人的上流生活圈中，仍執著面對自我，並勇於維護自尊，卻也因而喪失了對真愛的判斷和實情的追求，以致忽視了優柔溫文的賓格利和恃才傲物的達希，在撲朔迷離的形勢中所表現出的難得摯情。 然而就在重重誤解、心機、成見與持續華麗表面生活的遮掩下，擋不住的愛情仍如結晶的璞玉一般，終究不能不脫穎而出，傲慢與偏見的人性兩貌，在種種環環相扣的沖突中清晰的突出，作者以她圓潤、敏銳、幽默而細致的筆觸，十足盪氣回腸的描繪這一群人的恩怨愛恨。 Pride and Prejudice

Jane Austen began her second novel, Pride and Prejudice, before she was twenty-one. It was originally titled First Impression because the appearances of the characters created the plot of the novel. However, because the novel is also concerned with the effects of the character's first impressions, that is their prejudice, Jane found the title Pride and Prejudice more appropriate.

Pride and Prejudice, similar to other Jane Austen's novels, is written in gentle or Horacian satire. The main object of Jane's satire in the novel is the mercenary and the ignorance of the people, a common criticism of the 18th century. Characters in the novel which best carries these qualities are Mrs. Bennet, a foolish woman who talks too much and is obsess with getting her daughters married; Lydia Bennet, the youngest of the Bennet daughter who is devoted to a life of dancing, fashions, gossips and flirting; and Mr. Williams Collins, the silly and conceited baboon who is completely stupify by Lady Catherine in every aspect of his life that he has forgotten his own morals and ty. The tone of the novel is light, satirical, and vivid. Scenes such as Mr. Collins proposal to Elizabeth, and Lady Catherine visits to Lizzy at Longbourn, provides comic relief to the reader while at the same time revealing certain characteristics of the characters. For example, Lydia's lack of common sense and responsibility is revealed when she takes pride in being the first Bennet girl to be married. Lydia does not take into consideration the circumstance of her marriage, the personality of her husband, or the prospects of their marriage for the future. Elizabeth Bennet's ability to laugh off her misfortunate and to continue to be optimistic, considering her situation, also contributes to the tone of the novel. The point of view in Pride and Prejudice is limited omniscient; the story is told through Elizabeth, but not in first person. As a result, the mood of the novel lacks dramatic emotions. The atmosphere is intellectual and cold; there is little descriptions of the setting. The main actions of the novel are the interactions between opinions, ideas, and attitudes, which weaves and advances the plot of the novel. The emotions in the novel are to be perceived beneath the surface of the story and are not to be expressed to the readers directly. Jane's powers of subtle discrimination and shrewd perceptiveness is revealed in Pride and Prejudice; she is able to convey such a complex message using a simple, yet witty, style.

The main subject in the novel is stated in the first sentence of the novel: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." In this statement, Jane has cleverly done three things: she has declared that the main subject of the novel will be courtship and marriage, she has established the humorous tone of the novel by taking a simple subject to elaborate and to speak intelligently of, and she has prepared the reader for a chase in the novel of either a husband in search of a wife, or a women in pursuit of a husband. The first line also defines Jane's book as a piece of literature that connects itself to the 18th century period. Pride and Prejudice is 18th century because of the emphasis on man in his social environment rather than in his indivial conditions. The use of satire and wit, a common form of 18th century literature, also contributes to label the book as 18th century. However, because Jane Austen had allowed personal feelings of the characters to be expressed in her work, she can also be classified as Romantic. In the figure of Elizabeth, Jane Austen shows passion attempting to find a valid mode of existence in society. Passion and reasons also comes together in the novel to show that they are complementary of marriage.

There are seven different marriages presented in the novel. Excluding the Gardiner and the Lucas, the remaining five marriages contrasts each other to reveal Jane's opinions and thoughts on the subject of marriage.

The marriage between Darcy and Elizabeth reveals the characteristics which constitutes a successful marriage. One of these characteristics is that the feeling cannot be brought on by appearances, and must graally develop between the two people as they get to know one another. In the beginning, Elizabeth and Darcy were distant from each other because of their prejudice. The series of events which they both experienced gave them the opportunity to understand one another and the time to reconcile their feelings for each other. Thus, their mutual understanding is the foundation of their relationship and will lead them to a peaceful and lasting marriage. This relationship between Elizabeth and Darcy reveals the importance of getting to know one's partner before marrying. The marriage between Jane Bennet and Bingley is also an example of successful marriage. Jane Austen, through Elizabeth, expresses her opinion of this in the novel:

"....really believed all his [Bingley] expectations of felicity, to be rationally founded, because they had for basis the excellent understanding, and super-excellent disposition of Jane, and a general similarity of feeling and taste between her and himself." (Chapter 55)
However, unlike Darcy and Elizabeth, there is a flaw in their relationship. The flaw is that both characters are too gullible and too good-hearted to ever act strongly against external forces that may attempt to separate them:

"You [Jane and Bingley] are each of you so complying, that nothing will ever be resolved on; so easy, that every servant will cheat you; and so generous, that you will always exceed your income." (Chapter 55)
Obviously, Lydia and Wickham's marriage is an example of an bad marriage. Their marriage was based on appearances, good looks, and youthful vivacity. Once these qualities can no longer be seen by each other, the once strong relationship will slowly fade away. As in the novel, Lydia and Wickham's marriage graally disintegrates; Lydia becomes a regular visitor at her two elder sister's homes when "her husband was gone to enjoy himself in London or Bath." Through their relationship, Jane Austen shows that hasty marriage based on superficial qualities quickly cools and leads to unhappiness.

Although little is told of how Mr. Bennet and Mrs. Bennet got together, it can be inferred by their conversions that their relationship was similar to that of Lydia and Wickham - Mr. Bennet had married a woman he found sexually attractive without realizing she was an unintelligent woman. Mrs. Bennet's favoritism towards Lydia and her comments on how she was once as energetic as Lydia reveals this similarity. Mr. Bennet's comment on Wickham being his favorite son-in-law reinforces this parallelism. The effect of the relationships was that Mr. Bennet would isolate himself from his family; he found refugee in his library or in mocking his wife. Mr. Bennet's self-realization at the end of the novel in which he discovers that his lack of attention towards his family had lead his family to develop the way they are, was too late to save his family. He is Jane Austen's example of a weak father. In these two latter relationships, Austen shows that it is necessary to use good judgement to select a spouse, otherwise the two people will lose respect for each other.

The last example of a marriage is a of a different nature than the ones mentioned above. The marriage between Mr. Collins and Charlotte is based on economics rather than on love or appearance. It was a common practice ring Austen's time for women to marry a husband to save herself from spinsterhood or to gain financial security. However, Jane Austen viewed this as a type of prostitution and disapproved of it. In Pride and Prejudice, Jane Austen dramatizes this form of women inequality and show that women who submits themselves to this type of marriage will have to suffer in tormenting silence as Charlotte does:

"When Mr. Collins said any thing of which his wife might reasonably be ashamed, which certainly was not unseldom, she [Elizabeth] would involuntarily turned her eye on Charlotte. Once or twice she could discern a faint blush; but in general Charlotte wisely did not hear." (Chapter 28)
These five marriages contributes to the theme that a happy and strong marriage takes time to build and must be based on mutual feeling, understanding, and respect. Hasty marriages acting on impulse, and based on superficial qualities will not survive and will lead to inevitable unhappiness.

In Pride and Prejudice, Jane has denounced the elements of marriage and society that she found distasteful. These are the conclusions of her observation of the people in her world. However in her writing, Jane has also reflected her own enjoyment in life among these people with and without their faults.

6. 傲慢與偏見小說txt百度雲

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7. 推薦幾本《傲慢與偏見》那種的小說，多謝

理智與情感
蝴蝶夢
呼嘯山莊
愛瑪
曼斯菲爾德庄園
簡愛
飄
等等這些都很好的啊

8. 《流年（主.傲慢與偏見.綜小說）》txt全集下載

流年（主.傲慢與偏見.綜小說） txt全集小說附件已上傳到網路網盤，點擊免費下載：

內容預覽：
《 筆下文學 》整理收藏 Http://Www.Bxwx.Org
《流年（主HP.傲慢與偏見.綜小說）》
Chapter 1 達西先生
Chapter 1達西先生
在重新恢復意識之後，他用了一個白天來接受現實——自己已經不在原來的世界，也不再是原本的自己——然後又用了一個晚上試圖用各種方法按照穿越小說常見套路和那位不知道是否存在的穿越大神取得聯系，最終他抱著因為熬夜而抽痛的腦袋像一條死狗一樣趴在床上，並且深刻地認識到了網路小說不可相信。
終於決定要動用自己的腦子，而不是像先前的那一天一夜，放任自己宣洩驟然穿越之後的種種抑鬱瘋狂，他向床邊的女僕套話，得知了自己現在的名字叫做索拉雷．塞倫。然後他覺得，他需要盡快弄清楚這是什麼年代什麼地方，因為這事關他在這里的生存。
畢竟這地方貌似並不是「索拉雷．塞倫」的家——女僕恭敬但是過分疏離的態度，對於他的稱呼是「塞倫先生」，提供食物和衣服的時候再三詢問他是否滿意，似乎並不了解身體原主人的喜好，但是這個女僕的年齡和她對於這里環境的熟悉程度又顯示著，她不是新來的傭人——所以弄清楚自己現在的處境，是最重要的事情。
寄人籬下和僅僅做客朋友親戚家兩三天，這兩種情況之間理所當然地差別巨大。
坐在床上喝完了女僕遞過來的牛奶，索拉雷接過了衣服換上，然後跳下哥德式風格的大床。旁邊的女僕又拿起了放在床頭一塊懷表，彎下腰說：「需要現在就給您掛上嗎？」
低頭……
應該是全本了

9. 傲慢與偏見（小說）

Mrs. Hurst是Mr. Bingley的姐姐，嫁給了Mr. Hurst，她與Miss Bingley是姐妹。他們兄妹三人與Darcy都是多年認識的老朋回友。

他們與Elizabeth或者說答是Bennet家庭的關系就是新搬來的鄰居，當然了，Bingley也是Mrs.Bennet心目中理想的女婿人選。

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